‘Harry Potter’ Retrospective (Part 4): Films 5 & 6
June 20, 2011 2 Comments
It’s Back!!! — Part 4 of Magic Lantern’s “Harry Potter Retrospective” by contributing author William Buhagiar. Here, Buhagiar looks at Films 5 and 6 in the series — and doesn’t hold his tongue in the process. Clearly, he has major issues with these two particular films, and tells us why. Do you agree? Are these films as poorly executed as he says – or is William being too harsh on them? As someone who has not seen these two (just yet), I would love to read your thoughts & feedback. Our next Part will feature William’s review of the 7th film, followed by a commentary on select actors from the all-star cast. — P.E.
Harry Potter & the Order of the Phoenix
This is not just my book-devoted, frenzied biased speaking – “Order of the Phoenix” is simply not a good film. And as far as an adaptation of a novel goes, it is the most gruesome two hours I’ve had the grave misfortune of wasting. (Note: I do in fact own the DVD, because years after my first nightmarish viewing I decided to revisit it and give it another shot.) This was the ‘Potter’ movie I was the least excited to see, as I had known prior to seeing it that the 860-page book had been trimmed massacred to a mere two hours, making it the shortest out of any of the ‘Potter’ films. Does this make sense to you? I think not. I was also far too distracted by the fact that the final book, “Deathly Hallows,” was to be released the same week.
Unlike the previous movie, “Order of the Phoenix” had a very sloppy, disjointed script and strayed far from the crucial points of the story that created a brilliant climax – a climax that essentially never even takes place in the film. Considering this installment was not written for the screen by Steve Kloves, who had penned each of the previous scripts (and the ones that followed), the movie suffers the serious consequence of being written by an extraordinarily incapable writer.
Visually, sets such as the Ministry of Magic, the Department of Mysteries, and the Room of Requirement were satisfying and accurate. Imelda Staunton, though she looks nothing like the fat, toad-faced Senior Undersecretary described in the book, delivered an adequate performance of Dolores Umbridge’s false sweetness. The film did not, however, accurately convey the cruelty and inhumanity of the appalling and power-crazed Professor Umbridge, who Rowling made us loathe.
There is one aspect of the film, and the following films, which always stays with me when I finish viewing them. Helena Bonham-Carter’s performance as the sadistic psychopath Bellatrix Lestrange is one of my absolute favorite parts of the movies. Bonham-Carter is my single favorite actress — I find her a wickedly intoxicating performer whom I cannot takes my eyes off whenever she is on screen. Her fearless performance soars, explosively, in each of her scenes – and unfortunately she is only given a few minutes of screen time in the film.
This is by far my least favorite of the movies, as it completely neglected such wildly crucial elements of the story that are key components in many following events. This was such an insanely important part of the story, and not only were the filmmakers robbing fans of beloved material, but also leaving audiences unfamiliar with the novels terribly confused.
Harry Potter & the Half-Blood Prince
Why, why, why did the filmmakers take the story of “Half-Blood Prince,” one of the finest volumes of the series, and decide to make the movie a romantic comedy? Anyone who has seen the film knows I am not lying, nor am I exaggerating this sentiment. It was a Goddamn romantic comedy — a showcase of comical teenage relationships that was barely a footnote in the novel. And what are the consequences? Elements of the story which are actually relevant, that have no reason to be left out, are nowhere to be found. (I’m referring, fellow nerds, to the memories we see in the Pensieve, among other things.)
Also rather agonizing to stomach is the film’s reluctance to actually focus on the titular character (whose name I will not reveal…I think I’ve delivered enough spoilers so far). During the climax, when the identity of the Half-Blood Prince is revealed, I sensed a heavy feeling of “nobody gives a shit,” because this mystery was speculated on for about thirty seconds on screen.
Mercifully, this was nowhere near the caliber of the unforgivable “Order of the Phoenix” tragedy. Steve Kloves returned to write the script and in his original draft, each of the memories featured in the book (nerds know what I’m talking about) takes place. I don’t know whose decision it was to remove them in order to show the audience that wizards have hormones too, but I would love nothing more than to provide that person with a swift dropkick right in the teeth. Once again, I have no complaints about the visuals — the film is shot beautifully and each new set piece is as authentically Rowling-esque as ever. Helena Bonham Carter pops up to steal the show as Bellatrix Lestrange a few times, cackling madly, being chaotic and destructive, and setting nearly everything in her path aflame.
I suppose, considering this was their very last chance to be humorous and charming with the world of Harry Potter (as everything that follows is nothing but grim), they seized the opportunity and ran with it, leaving us not only furious, but also confused as to how exactly they intend to tie up loose ends in the final episode, when vital information contained in “Half-Blood Prince” was not just watered-down, but left out of the film entirely. No, the movies cannot be the books – but there’s no excuse for them to lose focus on what is important in the story.