Anticipating Woody Allen’s New Film
May 19, 2011 4 Comments
So — it’s that time of year again. A time where hope springs eternal. A time for cautious optimism — and a time for well-deserved skepticism. Almost as clockwork as waiting for Puxatony Phil to show his face each and every year, comes the release of a new film release by the legendary auteur Woody Allen. This year, Midnight in Paris (Allen’s 42nd feature film) is scheduled for release and opens this week (after debuting to rather positive reviews at the Cannes Film Festival).
As always, Allen has been able to bring together a star-studded cast to speak the lines of the aristocracy. For Midnight in Paris, we are treated to Oscar winners Adrien Brody, Kathy Bates, and Marion Cotillard — as well as co-stars Owen Wilson, Rachel McAdams, Michael Sheen, Alison Pill, and Carla Bruni. But it is usually not the cast that has been the problem with some of Allen’s films for the past 10+ years — sadly, it has been the bland storytelling and the writer/director himself revisiting the same old themes using the same old characters in his films. I have written about this quite a bit on The Lantern, so I won’t bother repeating myself here. Suffice it say that I remain a tremendous fan of Mr. Allen — I still feel he is one of the finest American filmmakers we have. However, his batting average since 1999’s wonderful Sweet and Lowdown has not been a very impressive one. I keep hoping that he will stretch himself as an artist and explore new ground, but this is rarely the case — and I am slowly giving up on this dream with each new film released.
I enjoyed last year’s You Will Meet A Tall Dark Stranger very much. Though it tackles many of his favorite subjects, the writing was much sharper and more genuine — and the cast gave wonderful performances. It was a strong 3-star film. The romantic comedy Midnight in Paris — the first film that Allen has shot entirely on location in Paris — so far has pretty good word of mouth, even getting a solid 86% approval rating on Rotten Tomatoes as I write this post. We shall soon see. With the slow decline in Allen’s work over the years, critics have had a tendency to over-praise his good films (a la Match Point and Vicky Cristina Barcelona), proclaiming them to be much more than they are, simply on the basis of comparing them to such duds as Anyone Else, The Curse of the Jade Scorpion, and Scoop. Of course they look like masterpieces compared to these embarrassing efforts.
But, as I do every year, I will be at the theater this weekend and pay for my ticket. Woody’s films always get my money. I will wait with baited breath and hope for the best. Fingers crossed.