Peter Eramo’s “Top 25 Comedies of the Decade”: The Finale!
June 4, 2010 24 Comments
OK, here it finally is…the last part of my “Top 25 Comedy Films of the Decade” (2000-2009) list!!! The final five films are as follows:
#5. Wonder Boys (dir. Curtis Hanson)
A chaotic mid-life crisis joy ride, if there ever was one. Carnegie Mellon professor Grady Tripp (Michael Douglas) is just one small crisis away from having a complete nervous breakdown. In the course of one weekend, we are introduced to all of the highly unusual characters that make up his harried life – his third wife leaves him, his girlfriend, the Chancellor (Frances McDormand, always so damned good) is pregnant, and his editor Terry (Robert Downey, Jr.) arrives on the scene, peeking and probing, waiting for Grady’s book that has been in the works for over seven years. Talk about writer’s block! Actually, the manuscript is over 2,600 pages long. Add to this the advancements of one of his female students and James Leer (Tobey Maguire), another of Grady’s students who is something of a literary prodigy on top of being a pathological liar and kleptomaniac. Oh yeah, James also shoots the Chancellor’s dog in the midst of all the confusion. It all looked so much easier seven years ago when Grady’s first novel was a sensation and he was, well, a “wonder boy.” What the hell happened to this guy?
“Wonder Boys” is not only one of the finest comedies of the decade, but one of the better films to come out period. Michael Douglas gives what I think may be his finest performance (not at all hyperbole). He is completely natural throughout. He doesn’t look for any laughs…he plays it straight and the laughs simply come. His chemistry with the impressive cast that surrounds him is pitch-perfect, creating a real-life character in this slice-of-life film – a character who we have great sympathy for and laugh at simultaneously. As his agent who is desperate for his client’s new work, Robert Downey, Jr. turns in yet another complex and quirky performance. Tobey Maguire is very funny too as the clearly troubled young writer. His pairing with Tripp makes for a nice father/son combination here. Steve Kloves does a masterful job at adapting from the Michael Chabon novel — very real characters caught in highly compromising situations. This movie is a true winner – smart, impulsive, sweet and really, really funny.
#4. The Invention of Lying (dir. Ricky Gervais & Matthew Robinson)
One of my Top films of 2009, without question — for its intelligent script, non-stop laughs, and terrific cast. Absolute entertainment. The film is set in an illusory world where no one has ever told a lie. That is, until Mark Bellison, a writer who is about to be fired (Ricky Gervais), creates one on the spur of the moment for personal gain. Mark is overweight, under-successful, short and comes from a poor gene pool. He is in love with Anna (Jennifer Garner) who is way out of his league as she is looking for the perfect mate with ideal genes to create perfect, good-looking children without snub noses. Of course Mark begins to take advantage of his discovery little by little until one day, the hospital staff overhear him speaking to his mother on her deathbed as he describes what Heaven is truly like. He’s just making it up as he goes along, but everyone within earshot believes him of course and Mark not only becomes famous, but a prophet of the people as well.
What Gervais and Robinson have created here is one of the better comedies I have seen in years. In its vision and scope, I was constantly reminded of the better films of Albert Brooks and Woody Allen throughout. Gervais gives an endearing, hilarious performance and manages to also include his own personal opinions on God, religion, love and the backwards priorities of our society. An entirely original film, I was blown away at how funny and clever it was. The film also features some great cameo appearances and excellent supporting work from Rob Lowe, Tina Fey, and Jonah Hill. Gervais is certainly making a name for himself here in the States (see “Ghost Town” too)— I only hope that people begin to recognize that this is a major force in comedy now. And not only is this one downright hilarious movie, but on top of that, it has a heart to match.
#3. Wedding Crashers (dir. David Dobkin)
John Beckwith (Owen Wilson) and Jeremy Grey (Vince Vaughn) are best of friends, business partners, and above all, self-confirmed womanizers. They make a habit out of crashing weddings and taking full advantage of all the romance in the air by bedding a gullible, beautiful hottie looking for her slice of the love pie. They even have their own long list of rules to abide by (Rule #1: Never Leave a Fellow Crasher Behind) and as the film begins, the anticipation is in the air because wedding season is just about here.
Chances are you’ve seen this movie already, if not once, then several times. All I know is that if I happen to catch it playing on TV, I can’t take it off. It’s too friggin’ funny and has some wonderful performances in it. Brash, sarcastic, foul, derisive, Vaughn is in top comedic form (“Tattoo on the lower back? Might as well be a bullseye”). His rapport with Wilson is a very strong one and we immediately buy into how close they are as well as when the two have their little break up. How the two scope out, then pounce on their prey is great fun to watch. They’re con men. But they’re not looking for money. They just want to get laid and never see the woman again. That is, until John meets Claire Cleary (Rachel McAdams) at a family wedding as the wedding season is drawing to a close. He is instantly smitten with Claire, who happens to be the daughter of the very influential Treasury Secretary William Cleary (Christopher Walken) and breaks every rule in his Crasher Rulebook in trying to win her heart by attending a weekend party at the Cleary family compound (and dragging his reluctant friend with him). The funny just gets funnier during the weekend with an incredible cast of characters. Walken plays it straight for the most part, but is still such a joy to watch and his relationship with his loving daughter Claire is a very endearing one. Who steals the show here is the dazzling Isla Fisher, who plays Claire’s seemingly unbalanced, sex-crazed sister who falls hard for Jeremy. How Vaughn reacts to and deals with the maniacal Fisher (“I’ll find you!”) makes for some of the funniest moments in the film. Keir O’Donnell plays the son of the renowned politician and is completely creepy, yet we just feel so bad for him. Again, the scenes he has with Vaughn are a riot. Bradley Cooper makes a great bad guy here who we simply cannot stand and Will Ferrell’s mythic Chazz is a great surprise (“hey Mom! Can we get some meatloaf??!!”).
Overall, the general plot is nothing so very new — but it somehow manages to feel fresh and original. It is certainly great entertainment and funny from start to finish. On top of all the laughs, there is also a sweet love story that, although fairly predictable, is still kind of nice to watch. But most of all, it’s a story about friendship — and that resonates throughout. It’s really very hard not to like this one. Without a doubt the funniest film of 2005, and among the funniest in years.
#2. In Bruges (dir. Martin McDonagh)
I am a tremendous fan of Martin McDonagh’s work as a writer for the stage and think he is one of the very best playwrights to come out in recent years. He already won an Oscar for his short film “Six Shooter” and with “In Bruges,” he makes a phenomenally impressive debut as a feature-length writer/director. McDonagh has a real knack for making violence and brutality outrageously funny and this one is quirky as hell, dark and funny…it simply blew me away.
What holds the film together is the friendship between Ray and Ken, two Irish hitmen. The chemistry between Colin Farrell and Brendan Gleeson is authentic and pleasing to watch as there’s so much going on between the two polar opposites. Farrell’s Ray is young, brash and wants to live it up, while Ken is much more reserved…he is a quiet philosopher and thinks with his upstairs head as opposed to his partner-in-crime, who thinks with the other. But Ray is suicidal and on edge, struggling to come to terms with a previous assignment that went terribly wrong. They are stuck in the Belgium city of Bruges – sent their by their insane mob Harry Waters (played with delicious cartoon madness by Ralph Fiennes). Because Ray bungled the job, he orders Ken to kill his close associate. So why are they in Bruges? Because Harry, for some reason known only to him, thinks that Bruges is the most magical, heavenly place on earth and wants Ray to see it before he has him killed.
How Ray and Ken deal with being trapped in this city is great fun. Ken wants to see the sights and take it all in, while Ray is just bored to tears. He meets Chloe, who happens to be a thief and a drug dealer, selling drugs to a film crew that is shooting in the city. He then gets mixed up with a Canadian tourist and yes, Chloe’s boyfriend. The film has a terrific pace to it and never lets up. The comedy is in the situations that McDonagh places his characters in and their reactions to everything that goes on around them. McDonagh also has a wonderful ear for dialogue and comedic repartee. It gets pretty violent at times, but you are laughing the whole way through. I remember ranking this the 3rd best film of 2008 and I haven’t met one person who saw this movie that didn’t like it. It’s simply a great film with terrific comedic performances.
#1. Tropic Thunder (dir. Ben Stiller)
In creating this list, I continued to run through each of the comedies I had seen during 2000-2009, and there was not one film I could point out that I thought was funnier or more daring than Ben Stiller’s comedic triumph, “Tropic Thunder.” From its very opening (the hilarious phony movie trailers) til its closing credits (the classic dance sequence done by Tom Cruise as his wonderfully off-putting, foul-mouthed and somewhat nauseating Les Grossman), this film had me rolling. The casting is flawless, the performances all stellar, and the screenplay is satiric, smart and yes, thankfully politically incorrect.
The film follows 5 Hollywood actors as they set out to make the greatest war movie ever made. At the center of this eclectic group is Ben Stiller’s Tugg Speedman, who is in desperate need of a comeback movie (especially after the joke of a movie that was “Simple Jack“). Robert Downey, Jr. plays multiple Oscar winner and master Australian Thespian (“I don’t drop character till I done the DVD commentary”), Kirk Lazarus who is notorious for always crawling in the skin of the characters he plays and, in playing an African-American soldier here, does so quite literally by undergoing a skin pigmentation process to turn his skin black. He is a wonderful foil to Stiller’s Speedman and their bonding throughout the film — from clashing on the set to true acting colleagues is a fine course to watch. Jack Black plays Jeff Portnoy, a modern-day Fatty Arbuckle who stars in toilet-humor comedies and has a severe drug problem. Jay Baruchel and Brandon T. Jackson round out the platoon, but both do not fall to wayside next to the more well-known comedians. A disheveled Nick Nolte (is there any other kind?) plays the man who wrote the book that the crew is set to film. An honored war veteran and American hero with a big secret, Nolte’s Four Leaf Tayback has hooks for arms and a no-bullshit code of conduct. Steve Coogan plays the man directing the “Tropic Thunder” project and is at a complete loss as to how to handle his star-laden cast. His inspired speech to his cast in the jungle as they set off for the unknown is a great one – before he happens to step on a landmine and his body is splayed across the fields in every which way. In two cameo supporting roles, Matthew McConaughey (who I normally cannot bear to watch) and Tom Cruise simply rock! McConaughey plays Tugg’s agent and closest friend who will do anything for his longtime client. His phone chats with a distant Speedman who is slowly losing his mind while imprisoned by natives are a riot as is his desperate search to get his man a damn Tivo! Cruise steals each scene he is in and I give him full credit for letting it all hang out and just committing to this vile character 100% (“Look, fuckstick, I’m incredibly busy. So why don’t you get the hell out of here before I snap your dick off and jam it into your ass!”). I can’t remember a funnier closing credits than right here. Those moves, those hips, that chest hair! PLAY-AAA!!!
I loved watching all the varied characters do their thing. I loved all of the racial jokes, actor jokes, drug jokes, and yes, the mentally challenged jokes and I credit Ben Stiller for not caving in to public pressure and keeping it all in. I had read that when Downey was offered the role and told what his role would entail, that he thought Stiller was absolutely insane. That usually means you are onto something, and after seeing this film a handful of times, he was. Watching Jack Black tied to a tree and bribing his cast members with oral sex in exchange for drugs is hilarious. On top of that, Downey’s ‘Full retard’ bit is complete insanity. The entire movie is peppered with truly funny lines. Stiller has created a complex, raunchy, intelligent comedy and his direction is spot on. This was a bold and challenging project to be sure, and could have easily gone wrong in so many ways. In Stiller’s capable hands though, he makes what I thought was the funniest damn movie of the decade. Here’s a little Les Grossman for ya:
As I stated in the previous part of this list, there were so many funny comedies that came out during 2000-2009 (much to my surprise). And I had initially started with a Top 10 List, but it just kept growing larger and larger….I finally had to draw the line at 25. In any case, here are some very funny, well-made movies that I truly enjoyed, but did not make the cut. I wish there was room for them all…
Year of the Dog
Lars & the Real Girl
State and Main
(500) Days of Summer
Team America: World Police
You Don’t Mess with the Zohan
Over the Hedge
Stranger Than Fiction
O’ Brother, Where art Thou?
Keeping the Faith
I Love You, Man
Harold & Kumar Go to White Castle